Saturday, April 13, 2019

All my technologies!

I want to dedicate this post to all my technologies! You know who you are!
I rented all of my filming equipment from BECON-TV, the Broward Schools Television Station. I rented a Sony DSLR, a tripod, lights and their stands, and microphones. I chose to do this because, as I mentioned in my blog, I did not necessarily focus on cinematography, as the opening was all “found-footage” from the point of view of the couple. This year, I wanted to challenge myself and work with more technologies, rather than just my iPhone camera. Having the option of using a tripod was interesting, because I knew that there were specific shots where I wanted the camera to be steady, but there were others where I wanted to film guerilla style. Using the equipment was an amazing hands-on learning experience, as I was given a run down on how to adjust the shutter speed, the ISO, and the frame rate- which we actually used and manipulated throughout filming. I feel much more comfortable around professional cameras and other equipment as a result of this project.
Last year, I edited using Adobe Premiere Pro but the program presented some problems for me throughout the year. So, I took to the internet and researched the best film-editing softwares for students- and I found DaVinci Resolve. It was very odd relearning to edit with a different software, as both are completely different. Premiere was slightly easier to use, surprisingly, because all effects, transitions, and filters were sorted into easy to access libraries and almost all post-production could be done within the same page. With DaVinci Resolve, everything is scattered about and there are multiple, more specific pages to complete post-production. This format results in being able to manipulate the footage much more, creating a better result. Within Resolve, I was able to place a gold filter and old film effect on the flashback sequences, and I was able to clearly trim clips to the short pace I wanted. I also tried chroma keying, using glitch text, and more within the program. I hope to continue to use this software so I can become more proficient in it, especially since the software has so much to offer.
To create my website, I used Wix. I’ve made one other website with Wix previously, but for a business- not a film. I chose a template for a “film” website, and changed all aspects to better serve my film- for example, I included a dynamic dark rain-cloud background and large uniform gold fonts. On the website I created pages where the audience can explore the synopsis, read reviews, learn more about the cast and crew, and view production photos. Using Wix was slightly frustrating, as the website frequently lags and doesn’t respond, but the end result always looks phenomenal. I don’t know if I will use Wix again in the future, because I feel as though there are other resources that will produce a quality output without the frustration of creating it.
To create my postcard, I used Canva, a free graphic design website. I might be Canva’s biggest fan- I use it for my personal social media! I searched through templates until I found the one I wanted and customized it. Canva has its own design elements that are free to use and lets you upload your own media as well. I uploaded the pictures of one of the actresses and a different font type to make the postcard look like a realistic missing persons flyer. I will always sing the praises on Canva, as it allows you to make so many designs specific to what you are looking for. I find it to be easy to use, efficient, and one of the best resources I have when developing my media.

Finally, to edit my production photos, I used the Adobe Photoshop Mix app for the iPhone. I always enjoy using this app, as everything is laid out and easy to use. I was able to cut away backgrounds for the pictures you see on the postcard and website and was able to manipulate the brightness and color of certain pictures to further develop the characterization of the film and it’s cast.

Thursday, April 11, 2019

Reshoots

Today we had to take our butts back to the bike trails and reshoot the scenes where Sephone is running away after hitting Hader to free herself. It was a very fast shoot, and only took a few minutes. However, the natural lighting was not on our side today. The light reflected so bright off of light, white tones. It will take a lot of work to balance in pre-production.

It was sad to say goodbye to filming, but also greatly relieving. It was nice being so busy, however, I do look forward to having time where I don't have a camera in my hand or where I'm stressed about creating shot lists. My poor director's script has been through so much!

Anyways, I'm about to head into the beast that is post-production. Wish me luck!

Branding: A Twist in Time

I want an audience to remember "Golden Girl" because of the color scheme and flashbacks. I believe that both are elements that I specifically used and manipulated to further the comprehension of the theme and tone.

Overall, the golden color I used is seen across every aspect of the project. Using the gold color with the Crime/Psychological thriller genre is a bold choice, as normally darker colors are used to mirror the tone. I think that the contrast between tone and color scheme develops a really solid foundation for how people learn about the movie. All aspects use gold toning and gold fonts. The titling is uniform throughout each aspect, as I wanted the audience to be able to recall an “image” of some kind when the name of the film is announced around them. The film’s flashbacks all feature a gold filter with a dirty film overlay. The purpose of this was to exemplify Sephone’s experience being kidnapped. The gold color and dirt overlay on the film looks pleasant, reminding the audience of a good memory or one from their childhood. However, the content actually being shown is meant to disturb. The point of this was to juxtapose the horror of the event with the gratification Hader gets from kidnapping Sephone. The audience is receiving mixed signals through the editing. I think that the consistency of this element will connect the audience’s memory to something memorable from the film.
RESOURCES:

Wednesday, April 10, 2019

Filming Day 3

WOW! We wrapped!

Today's filming was as tedious as I thought it would be. It took almost 45 minutes to get all the way out to the office. Everyone got to my mother's office at a different time, so we were also delayed. However, the space was beautiful and spacious, and everyone was very nice! There were even snacks and drinks set up for us in a conference room.

Unfortunately, there was a lot of downtime for some of the actors because I couldn't film everyone at the same time. We worked back to front. I had shot lists again, which helped filming go by fast, but some shots had to be adjusted because we couldn't fit everything into frame.

We didn't end up leaving the office until about 8, and we were home by 9. It was an exhausting day, definitely the hardest day of filming.

Reshoots tomorrow, and then we are officially wrapped. :)

Tuesday, April 9, 2019

Filming Day 2

Once again, it was raining today. This was a nuisance for a number of reasons. To begin, I had to move the "bench" setting to an "in front of an obscure building" setting. I really wanted to use a bench, because it would've made getting shots easier, and I felt as though it just made sense in the grand scheme of the film. I also wanted a still shot of Aitana's shoes, and I was afraid I wasn't going to be able to get the shot I wanted- but I worked around it and figured it out. On top of that, people (adults and children) had to cut across the front of the camera and at some points standing in the background. We couldn't ask people to stop or to move, because we were the inconvenience- not them.

After we filmed in front of the community center, we took to Danny's car to get some shots. Darian and I sat in the back with Aitana and Danny in the front. These shots were kinda scary to film, since we weren't buckled in and the camera was shaking very hard, but it was worth it for the film! At one point, we had to take two cars to get footage of Danny and Aitana driving from outside the car, and we had to take up both lanes of the road. That was an event in itself, as Danny didn't stop his car when one was coming at him- and he was in the wrong lane.

Filming ended a lot earlier than I had thought, but we were in no way rushed. By following the shot list all the way to the bottom, I was organized and knew exactly what I wanted and needed.

For tomorrow, I'm nervous, because there will be more actors and we will be in a bigger, more sensitive space. Hopefully, I will be able to end production on a high note.

All for now!

Honey, I Drew in an Audience!

I wanted to take some time to reflect on how my short film would engage with audiences in the real world. I think the real challenge of promoting a film is getting an audience to remember important aspects.
One thing I want the audience to remember is the post card. The postcard is meant to draw the audience into the story. When handed out, the first side they see is the missing persons flyer for Sephone Stratos. I do want to initially shock the audience with this, until they flip over the card and see the information for the film. I wanted to use this design in order to draw in the audience- the film is grounded in reality so presenting them with a realistic situation will make them feel as though they have a part in the story. No, they haven’t seen Sephone. But, in order to see her, they will have to go to a screening of the film.

I would release the film in a short circuit film festival, and then push for a theatrical release. Film festival buzz is advertising in itself, as so many people learn about the movie, but are unable to view it on any platform yet. The delay between learning about the film and the date it is released increases the word of mouth publicity, the anticipation, and the likelihood that an audience will watch the movie.

RESOURCES

Monday, April 8, 2019

Filming Day 1

Today, we went to Markham Park and Aitana's garage to film! Originally, we were supposed to go to Weston Regional rather than the garage, but mother nature has pushed her beautiful rain towards us, so we had to work around it.

I also rented the equipment today from BECON-TV and Jim Gurasci. He was awesome, and gave me rundowns on how to work the Sony DSLR, Lights, Microphones, and tripod I rented. The training took about an hour, but then Darian and I were off to Markham Park.

The actors were great. I met Danny for the first time, and he came prepared with multiple costumes and props. He was prepared and ready to work like a true professional. Aitana was also ready and able to turn the emotion of the character on and off in an instant, which proved to be helpful when the bikers road by.

We took some production photos at the front of the mountain bike trails. There was awesome lightning and great foliage for backgrounds. We started filming a little later than expected, but we still got some awesome footage- even extra shots!

I got quite a few bug bites, but it was worth it! First day of filming was a success!

Saturday, April 6, 2019

The Last Casting Post Part II

I promise! This is the final post about casting I will do! I was just excited to announce that casting of Sephone and Hader has been finalized! I am so happy that everything worked out the way it did, and a special thank you to my mentor Robin for helping me find my key players!

Playing Sephone Stratos will be my friend, Aitana Hidalgo. She is a very good friend of mine, and we recently played opposite each other as best friends Tanya and Rosie in "Mamma Mia!" She is a phenomenal actress with the ability to portray chilling raw emotion, and she is going to be a brilliant part of Demoniac!

Playing Hader Jones is Danny Guierri, someone recommended to me by Robin. He was very excited to be a part of this project and is eager to portray the character. I'm so excited to collaborate on this role with him!

In addition, I asked one of my best friends, Darian Haberland, to be my Production Assistant for this movie. She truly knows me in and out and will be the greatest right-hand woman I could ask for on this project.

I'm so excited to move forward into production week with a brilliant cast and crew by my side!

Thursday, April 4, 2019

PostcarDD

I have started designing my postcard for the film! It is going to be a missing persons flyer with pictures of Aitana, the actress playing Sephone. I haven't completely finished, and the font isn't final, but I wanted to post my progress here!

The front of the postcard, what you see now, will have Aitana's school picture, as if it were her actual missing person's flyer. The other side will have the other half of her face dirtied and her hair messed up as if she has just been kidnapped, along with the information of the film. I really hope that this kind of postcard would intrigue people, by sort of immersing them in the storyline with the flyer!

Wednesday, April 3, 2019

Convention-ever After

In this blog post, I plan on discussing how my film compares with typical conventions of the same crime genre. There are purposefully some aspects of this production that will not line up with standard practices, and that comes from a place of me wanting to take my own creative liberties in order to tell the story I want to tell.

I want to begin with a statement on what I feel my film will be: a piece which uses the technical conventions and some content conventions of a psychological thriller, and the content conventions of a crime drama. Rather than focusing on the victim of the crime, Demoniac focuses on the criminal, kidnapper, Hader Jones. I think that playing to the mind of the villain has become a common practice for current psychological-thriller and action movies like "Glass (2019)", "Venom (2018)", "A Simple Favor (2018)", and "The Killing of a Sacred Deer (2017)". Delving into the supposed antagonist's mind is a perspective meant to intrigue, terrify, and disturb an audience as they experience the story take place from the criminal's side. Whether one finds themselves rooting for the character or not, understanding the emotion that takes place behinds a horrible action is an experience that creates a better understanding of the overall human experience, and influences one's perception of the world positively or negatively.

Hader is different from typical "criminals" in the crime genre, because he does not use weaponry to achieve what he wants. He uses a bit of charm to kidnap Sephone and never leaves her once he takes her to where they will stay. His armor is his intellect and dark psyche, rather than physical danger. The film includes a commentary on the pure evil that is evident in our world today that is manifesting into brain power and a powerful will. Using an attitude and persona as a weapon is something not necessarily seen before. It undermines the need for any physical violence in film, while drawing attention to mental and emotional violence.

The crime Hader commits is different from crimes normally seen in crime films because they do not contain prolonged action. The real action that will be seen in this film is in flashbacks of the actual abduction. Crimes that are typically seen are bank robberies, mob plots- violence with an ultimate goal. Films like "Baby Driver (2017)", "The Equalizer (2014)", and "Mission Impossible: Fallout (2018)" all include a  constant stream of violent action that is supposed to enrapture the audience. The goal of the crime was achieved immediately with Hader, so what remains is the impact which I believe will have a stronger influence on the audience than the action.

I plan on continuing this analysis in my CCR!



RESOURCES:
https://www.slideshare.net/imogenmarsden/conventions-of-crime-films (Slide-show on the conventions of crime genre films)
https://www.slideshare.net/danielfotheringham21/generic-conventions-of-crime-dramasthrillers (Slide show on the conventions of crime genre film)
https://www.slideshare.net/paigewebbx/codes-and-conventions-of-a-psychological-thriller-16401609 (Slide show on the conventions of psychological thriller genre film)
https://prezi.com/mh5w4mkqh6ng/codes-and-conventions-of-psychological-thriller/ (Slide show on the conventions of psychological thriller genre film)



Last post ;(

This is it! It's been a great journey. FILM https://www.youtube.com/watch?v=bFbNiI7ZQDc https://drive.google.com/file/d/1tjfBALKOsV...